See latest posts here (latest 5 will show). To see all posts, see here
- Other geographies of flamenco: the Eastern traditions
- José Domínguez Muñoz, “El Cabrero” (1944-2026), an obituary
- The urban crucible: Seville’s Feria de Abril and the star-system
- May Day, flamenco, and the Andalusian left
- Labour, industry, and the professionalisation of the cantaora
The Posts page offers an overview of all recent posts and it serves as a space for ongoing reflections on the various cultural, historical, and musical threads that define flamenco’s Golden Age. These entries explore the shifting landscapes of the late nineteenth and early twentieth centuries—a time when the art form was navigating intense public scrutiny, new commercial pressures, and the emergence of modern media.
The blog features short inquiries into the lived experiences and creative strategies of the performers who worked within this complex era. By moving between the social history of the barrio and the aesthetic details of the cante, these posts seek to offer a nuanced perspective on a tradition that was often misunderstood by the observers of its time. Our goal is to maintain a dialogue that respects the depth of the tradition while acknowledging the historical tensions that continue to make it a subject of fascination and study.
